The Poydras Corridor Sculpture Exhibition presented by the Helis Foundation features a sculpture by the late Ida Kohlmeyer (NC ’33, G ’56). The sculpture, Box of Artificial Flowers #6, is the largest sculpture Kohlmeyer created, standing at 17 feet tall and 14 feet wide. The Helis Foundation purchased the sculpture from a private collector in Chicago in 2018 and invested in the restoration of the piece. The sculpture now sits on the neutral ground of Poydras Street and Loyola Avenue. https://tulane.it/Kohlmeyer-sculpture-on-poydras
“By restricting ballet to pure romance, the art form loses its power to make critical commentary on the state of things.” Felicia McCarren, professor of French and dance historian, said in a New York Times article, “Is Ballet Camp?” https://tulane.it/Felicia-McCarren-nyt
School of Architecture faculty members Carrie Norman and Adam Modesitt, along with their students, created an intricate mural as a part of the “Unframed” project of the Arts Council of New Orleans. The project includes five murals within walking distance of each other in the city’s Arts District. The mural by Norman, Modesitt and their students is a life-size architectural drawing of a mid-19th century shotgun house called “Open House.” The project’s goal is to bring vibrancy to New Orleans outside of gallery walls and was funded by a $175,000 grant from the Helis Foundation.https://tulane.it/shotgun-house-mural
Lynda Benglis created The Wave of the World when she won a contest sponsored by the 1984 World’s Fair in New Orleans. Owned by the city of Kenner, Louisiana, The Wave of the World sat in disrepair for years after Katrina until the Helis Foundation funded its restoration. The sculpture/fountain is now on display in a City Park lagoon by the New Orleans Museum of Art.
A song with simple yet powerful lyrics plays over the speakers in the galleries of the Newcomb Art Museum: You can’t keep a ray of light from creeping in your room / you can’t fix a lie from shining down the truth / I’m not invisible anymore. Musician Lynn Drury’s words sum up the essence of Newcomb Art Museum’s new exhibition in that one prevailing line — I’m not invisible anymore.